I
had a great time Wednesday night at Tribes Alehouse Mokena at the weekly acoustic
open mic jam hosted by John Condron. There were great sets by Patrick Spiroff,
Scott McNeil, Ryan Olssen, Allison Flood, Bill Ryan and a special surprise
appearance by Chuck Pelkie.
Chuck
and I are old friends, meaning we’re old and we’re friends. We met in the ’80s while
studying journalism in college, worked together as reporters at The Herald News
and were bandmates for 11 years in the Big Eddy Springs Blues Band, from 2000
to 2011.
Eleven
years is a long time in band years. That’s about how long The Beatles worked
together, if you count their early years in the Quarrymen in the late 1950s
through their breakup in early 1970. It’s hard to work together in a group on a
creative process for that long without people eventually getting tired of it
and wanting to do something else.
Big
Eddy was a great traditional Chicago blues band. Chuck said his new band, BlindWhiskey, is about a third blues, one third originals and one third rock covers.
I’ve heard the guys jam and they sound great, and I’m very happy for Chuck that
he’s making music he enjoys with good friends.
I
was bassist in Big Eddy, and when I left the group in late 2011 I began this
process of performing my songs (and some covers) on acoustic guitar. I was
pretty rough at first, but I keep improving. Keep in mind, I consider myself a
lifelong writer who is learning to become a musician. I'm OK at singing but musicianship is not my
strongest suit, which is a bit of a challenge when you’re performing, well,
music. I could fake it pretty well as a bassist for about 30 years, but one day at a jam Twist Ferguson called me out and basically said I had no idea what I was doing. He was right, and I'm grateful to Twist for motivating me to become a better musician.
I’m working really hard at getting better, practicing until my fingers quite
literally are falling off. (It’s nearly a month since by last cigarette.) In
addition to learning more chords and scales and making better sounds on the
guitar I’ve added a loop pedal, open tuning, some slide work, capo variations
and harmonica to my repertoire. My writing’s getting better, too. I think “Red Rover,”the most recent song I’ve written, is my best yet.
I
have to extend much gratitude to John Condron for all his support and
encouragement. From John I’ve learned it’s better to regularly perform and
perfect your best material, because previously I was leery about playing the
same stuff too often. By watching John perform most every week I’ve learned the
most important thing is to relax and have fun, and that usually helps you connect
well with the audience. I’ve studied how you can be comfortable getting up and
performing material with other musicians without prior rehearsal.
John’s
been a great friend and mentor and I can’t thank him enough. I hope he’s able
to lend his ear and expertise later this summer when I record some originals in
Billy Aldridge’s Third City Sound studio in Joliet!
This past Saturday, May 18, John made a two-hour appearance on the Topless Burrito Bar radio show with Charlie Champene, Travis the Healer, Vitamin B, Billy Blocker and engineer Eric Totherow. You can download the show for free and hear John perform many of his originals. The TBB guys had me on the show last month.
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